Appropriation may or may not produce what Stuart Hall calls “oppositional readings.”

Appropriation may or may not produce what Stuart Hall calls “oppositional readings.” Both of the works below can be seen as examples of appropriation. Pick one and examine it carefully. ( Topic continued in paper details)

Appropriation may or may not produce what Stuart Hall calls “oppositional readings.”

Paper details

Topic continued:

Whether or not either artist “borrowed” from an original, what cultural codes (or shared meanings) does each reference? How have these been re-coded? Describe the difference between the “old” connotations of particular elements in each piece and the “new” interpretations that re-combining or re-contextualizing have enabled. Do you believe the creation you have chosen is oppositional? Why or why not?

Substance (75 per cent)

The essay provides evidence of critical thinking and presents an informed and thoughtful discussion.

Research sources are relevant, current, and credible. They are clearly documented in the paper.

The introduction explains the purpose of the paper and the issue or issues you will address. This can take the form of a question or questions.

The body develops your enquiry by providing explanation/information and organizing ideas and examples as clearly and directly as possible.

The conclusion summarizes the learning that has taken place through writing the paper; it also presents a (tentative) position statement and/or suggests direction for

Writing Style and Format (25 per cent)

Paragraphs are coherent, with transitions between ideas.

Sentences are grammatically correct; words are chosen for accuracy and impact.

The writing follows the conventions of spelling and mechanics (punctuation, etc.).

The format follows the documentation style (i.e., APA, MLA, Chicago Manual of Style) accurately and consistently.

 

Images have been attached!

-Barbara Kruger “Untitled” (I shop therefore I am) 111″ by 113″ photographic silkscreen/vinyl 1987 Courtesy of Mary Boone Gallery, New York. Reproduced with permission.

– Michael Jackson and Bubbles 1988 Porcelain 42 x 70 1/2 x 32 1/2″ © Jeff Koons The Broad Art Foundation, Santa Monica. Reproduced with permission.

 

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